Kharian, a significant cantonment in Punjab, is known not only for its strategic importance but also as “Little Norway of Pakistan.” This nickname stems from its unique connection with Norway, as thousands from Kharian have migrated to the Scandinavian country over the years. For many, Kharian is a place of nostalgia, a reminder of roots and heritage, even if their lives are now anchored elsewhere.
The town’s landscape is dotted with grand mansions, built by Norwegian-Pakistanis who envisioned these homes as winter retreats. These homes, once symbols of success and aspiration, now stand empty. Approximately 70% of Kharian’s 80,000 residents have settled in Norway, enjoying a higher standard of living and better resources. Despite this, they continue to invest in these majestic properties, dreaming of a future they may never experience firsthand.
This on-going photo series delves into the eerie nostalgia of these abandoned mansions. Through my lens, I capture the haunting beauty of these structures—silent witnesses to dreams of reuniting families and the complexities of migration. The images reveal not just architectural splendor but also the stories of longing and the challenging reality of returning to a life where essentials are less assured.
In exploring Kharian’s empty homes, i aim for the viewers to reflect on the dreams and disillusionments of a community whose heart remains tied to a place they may never fully return to, yet continue to invest in with hope and pride.
